1. Orquesta Típica Brunswick - "La canción del pirata" 1930
2. Orquesta Típica Brunswick - "Mi pena"1931
3. Orquesta Típica Brunswick - "Fruta prohibida"1931
4. Orquesta Típica Brunswick - "Qué bomboncito" 1930
Menuda Milonga and he describes the tanda as follows: "I've a real fondness for the simplicity of late 20s and early 30s tangos as they have buckets of charm and character. I usually play at least one tanda from the late 20s or very early 30s during the evening. Even though I love the darker, more somber tracks from this period, I adore the cute, upbeat nature of this Brunswick tanda. Especially Que Bonboncito."
Thank you Richard! Here's a link to more songs from Orquesta Típica Brunswick on Spotify.
"From the very beginnings of the recording industry, several ecord companies had their own orchestras or small groups whose only purpose was to cut recordings and, consequently, they made no public appearances. Already in the 10s, a period when, among others, the Orquesta Columbia and the Orquesta Polyphon appeared, this was more or less frequent. In spite of these far distant antecedents, it was in the 20s and 30s when they multiplied and each company launched their aggregations lined up by musicians that also were members of other orchestras of the same label. They only met for recording dates.
The most widely known were, undoubtedly, those formed by the Victor company, which since its succesful Orquesta Típica Victor -with a long and heterogeneous career from 1925 to 1944- produced other "private" orchestras like the Victor Popular, Victor Argentina, Victor de Salón, Victor de la Guardia Vieja, Radio Victor Argentina, etc. Probably more than once the same musicians were gathered under different group names. To look for any of their public performances is a vain effort: they only existed on record.
Between the twenties and the thirties the Brunswick company came to Argentina and the Columbia company returned. These two new labels, ready to vie for the hegemony that Victor and Odeon had in the local market, also introduced their own orchestras. But while the Típica Columbia preferred a varied repertory, which only included tangos from time to time, the Típica Brunswick was more specifically devoted to this rhythm, hence, its big importance for the genre..... continue reading"
- By Héctor Ángel Benedetti, Todo Tango